While 'Outta My Hands (Loco)' was compared to her earlier albums, (2013) and (2011).
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'Camouflage' is a -driven, that addresses the end of a relationship, and even though she has 'so much shit' to say, she doesn’t know how since the person that she was with is no longer recognizable.' 'Me & the Rhythm' is a dance, R&B and 'breathy' synthpop song, with an 'icy' arrangement, while the -inspired The song talks about losing yourself on the dance floor, while being free within that moment, being free within yourself. 'Good for You' is an electro- song, with pendulum-swing rhythm, swirling keyboard atmospherics and affirming rap it also has Gomez 'exploring her lower range and playing up the smokier edges of her speaking voice.' The lyrics for 'Good for You' explores, embracing one's sexuality and feeling comfortable in your own skin.
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'Hands to Myself' is a flirty and sassy song about, 'Sober' brings ‘80s 'slamming' synthesizers to the fore and 'girlie yelps', which lyrically regards and how a significant other doesn’t know how to love unless alcohol is involved and the recognition that the boundaries in a relationship aren't so great. This comprises drums, bass, lightly clicking percussion and hand claps. Composition Music and lyrics Musically, Revival is primarily a and album with vibes, which has been also described as 'a heady mix of pop'. In those four days, they also developed ' which was the last song recorded for the album. Recording took place at Wolf Cousins and in Stockholm, and at Interscope Studios in. Before the sessions began, Gomez felt that she had already addressed her desired themes for Revival, but wanted additional material that would be 'fresh from a female perspective', which culminated in '. According to Gomez, inspiration came after she and one of its writers, discussed social awkwardness and how Gomez 'would hang out with people and they would drink and they’re so fun, then the next day it would be weird.' Following the commercial success of 'Good for You' as lead single treatment, Gomez decided to collaborate for an additional four days with Michaels and Tranter despite her label's instructions for the album to be mixed at the time. 'Sober' was also developed during this time.
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